{"id":633,"date":"2016-05-23T09:30:13","date_gmt":"2016-05-23T16:30:13","guid":{"rendered":"http:\/\/janaoncamera.com\/?p=633"},"modified":"2016-05-23T22:59:30","modified_gmt":"2016-05-24T05:59:30","slug":"director-nicholas-stoller-tell-us-all-about-neighbors-2","status":"publish","type":"post","link":"https:\/\/janaoncamera.com\/br\/director-nicholas-stoller-tell-us-all-about-neighbors-2\/","title":{"rendered":"Director Nicholas Stoller tell us all about Neighbors 2"},"content":{"rendered":"
\"Diretor

Director Nicholas Stoller<\/p><\/div>\n

The sequel of last summer’s successful comedy Neighbors 2: Sorority Rising (Universal Pictures), marks the return<\/span> of actors Seth Rogen, Rose Byrne and Zac Efron, who reprise their characters<\/span>. Usually the sequences are compared to the original film, but this time around something<\/span> unusual<\/span> is happening in<\/span> Hollywood. Neighbors 2 can be funnier than the first one and the characters are more reliable and easy to relate to real life. The story Neighbors 2: Sorority Rising is repeated after a sorority moves next door to the Radner family. Seems to be more problematic than boys, Mac and Kelly end up asking for help to<\/span> his former enemy, Teddy.
\nRecently I was invited to<\/span> participate with<\/span> a small group of journalist from press conference to speak with<\/span> director Nicholas Stoller to talk about the new plot, sororities, casting the girls, and much more. Let’s check it out the interview during the press conference:<\/span><\/p>\n

Which one is more challenging: staging a party for a sorority or a frat?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> This one was more challenging because we really did versions of nighttime parties in the first one, and we kind of like really did a good version of nighttime parties in the first one, so it is hard to figure out what the new kind of party would be and that\u2019s why our big party sequence in this one, I\u2019ve now become an expert on extreme parties, is a daytime party, it\u2019s a tailgate. Just for that reason, we wanted to try to do something different, and so that seemed like the thing to do. The Fast and Furious<\/em> gets a new car each time, we get a new party.<\/p>\n

A lot of the comedy comes from the ladies and their behavior, and we\u2019ve never seen that before. Seth spoke earlier about how they looked to the actresses to help with the script, and with the script being written by five males, how did you approach writing the female roles in this film?<\/strong><\/p>\n

Nicolas Stoller:<\/strong> I would say the emotional thing they are going through is relatable to men or women. In the first movie, Zac\u2019s character is scared to graduate from college, that\u2019s something whether you\u2019re a guy or girl, that\u2019s something everyone\u2019s gone through. This is the same thing, about 18-year-olds going to college being scared to form their own identities. So it was important for us that it be emotionally honest, and that aspect was easy to write to since it was something everyone has gone through, no matter your gender. For the specifics, I spent a long time with all the actors I have worked with, and this is true in all the movies, kind of interviewing them and making sure that everything makes sense and stuff they are comfortable saying and that seems honest and truthful. I did that with Beanie Feldstein, Chlo\u00eb Grace Moretz and Kiersey Clemons, we sat and had a long session where we talked through everything, and we also had two writers on set, Amanda London and Maria Blasucci, who are really funny comedy writers just so that when we were pitching jokes we weren\u2019t \u2013 there is nothing more annoying then when girls in the movie talk like guys, so we wanted to make sure it all made sense. If you read early drafts of the script you would be like \u201cwhat is going on here? this is not the way women speak! What is this?\u201d A lot of that kind naturally fell out during our process.<\/p>\n

How do you keep maintaining the balance of writing women intelligently while also making a movie that seems to be targeted towards the male 18-34 demographic?<\/strong><\/p>\n

Nicolas Stoller:<\/strong> It\u2019s in the first movie where it was 50\/50 in terms of the people who came men and women. At the end of the day, I try not to think about that, I try to tell the story that the movie calls for. We very quickly were like \u201cit probably should be a sorority,\u201d that seemed like a funny idea that seems different. Then we kind of just followed where the story took us and its organic took us to this kind of female empowerment story and feminist story, it just naturally led us there. I think it is the kind of thing where guys show up because it is a hard comedy, Seth has a big guy audience, and I think Zac does too at this point. The whole thing where women are like \u201cI also want to see that\u201d versus \u201cI will go to that because you want to see that.\u201d<\/p>\n

We learned earlier today that sororities weren\u2019t allowed to throw their own parties, and it just so happens that there hasn\u2019t been a sorority party before, what responsibility did you feel to give women their own Animal House<\/em>? <\/strong><\/p>\n

Nicholas Stoller:<\/strong> Our main thing was, when I was in college, the women I went to college with drank as much as the guys, they threw up as much, their rooms are often grosser than our rooms because of the hair, there is a lot more hair. We just wanted to reflect reality. It has changed a lot recently, which is good, or over the past five, ten years. A lot of the times women in movies are either the saints or they\u2019re the nag or they\u2019re held to a higher standard, we wanted to reflect reality where kids are trying to figure their stuff out, and when they try to figure their stuff out chaos ensues.<\/p>\n

Since we are on the subject of learning that sororities aren\u2019t allowed to party, how much did learning that change the first drafts? And what about the fact that you were able to represent the gay community in this by introducing a gay subplot?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> The initial idea that sororities can\u2019t party was in the draft, but the natural process of writing a movie right would be to write 800 drafts. We wrote every version of this movie at this point. So that wasn\u2019t the first idea. We even did a table read where women weren\u2019t able to party in it. We did a very different table read where we didn\u2019t have the escrow plot in it and the table read didn\u2019t work at all, and we completely rewrote the movie before we shot. That is the kind of chaos of making a movie. The natural kind of evolution of a script as you shoot. It wasn\u2019t there in the beginning, and one of their interns brought up that idea, and we were like \u201cthat has to be our plot.\u201d It is so ridiculous, and it seems so fake, I actually shot Selena Gomez look in the camera and say \u201cno seriously guys, this is real, sororities can\u2019t party.\u201d But it broke the reality of our movie, so we couldn\u2019t use it.<\/p>\n

As for the gay subplot. The first movie, one of the reporters asked why I never had a gay character in my movies, and I was like \u201cThat is bad. I don\u2019t have an answer for you.\u201d It seemed to make sense in this movie. There is a lot of homoeroticism in the first movie between Dave and Zac, and it was just like Dave\u2019s character is probably gay. If you watch that movie, he might be in love with Zac. We all are in love with Zac, but it\u2019s hard not to be. He\u2019s a beautiful specimen. But it seemed to make sense. It was really important for us that the joke would not be \u201chaha, he\u2019s gay,\u201d but that it\u2019s an emotional thing they are going through. So I spoke to comedy writer friend who\u2019s gay and sent the script to him and pitched jokes on it and also made sure we weren\u2019t accidentally being offensive in any way. When I say offensive, I mean we just wanted to tell an honest story, we weren\u2019t dishonest in any way.\"neighbors<\/p>\n

On the topic of being respectful, was it difficult to write the female characters in a respectful way while still being funny for the hard comedy fans?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> What was hard about it, in a comedy it is always easier to make stuff funny when the goal of the characters is stupid. So the goal of Zac and his friends in the first movie is stupid like they just want to party. So it is easy to pull out the rug from under them constantly and make it really hard for them. In this movie, it was a little harder because the women\u2019s goal is noble, they need to ultimately succeed. At the same time, you want Seth and Rose to succeed in going through escrow, so it was a constant debate going on with all of us that we want to sorority to succeed but we also don\u2019t want the family to lose all their money and go bankrupt so a group of kids can party. So that was the debate that we had. We finally figured out the ending that kind of married everything together. What was interesting was we had a whole subplot, like the joke of the Neighbors<\/em> movie, is that everyone is stupid except Lisa Kudrow, like that\u2019s our role. She\u2019s smart but she\u2019s given up a long time ago, and we had a joke that the women are calling themselves feminists but they don\u2019t get it really. The guys in the audience just rejected that idea. As soon as they heard the word feminists they were just like \u201cyou\u2019re attacking me with the vibe.\u201d Women didn\u2019t, they thought it was funny. We had to strip it out because they didn\u2019t get it, beyond that it wasn\u2019t hard to figure out.<\/p>\n

How many takes was it to get Zac Efron oiled up?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> It was one hour-long take. We rolled out and they just kept rubbing it on him. No one objected to that, that\u2019s what I will say. What was funny was that the pork shoulder was real. My prop guy was awesome. He was explaining to me that you can\u2019t fake meat. It\u2019s really hard to fake meat. So what we ended up having is a real pork shoulder that we injected with baby oil. So Zac ended up smelling like pork that day, which was kind of funny.<\/p>\n

Will there be a Neighbors 3<\/em>?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> We\u2019ll have to see how this one \u2013 we haven\u2019t really talked about it or what it could possibly be. But I love everyone. I love the producers on this. I love the cast. It\u2019s why I wanted to make another one. To have the opportunity would be great but we haven\u2019t talked about it really.<\/p>\n

So with the baby oil and dancing, is there a cognitive effort to appeal to Zac\u2019s gay fanbase?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> Oh. Uh, no, we just thought it was funny. I didn\u2019t think about that fanbase. Yeah, we just thought it would be funny. What was funny is that I was like \u201cIt\u2019s a comedy so maybe the joke should be that he\u2019s bad at dancing, and Seth was like \u201cno, he\u2019s good at dancing, that doesn\u2019t make any sense.\u201d No, we just thought it would be funny.<\/p>\n

I feel like as a franchise filmmaker you\u2019ve had all sorts of variety. You did the spinoff to your own movie Get Him To The Greek<\/em>, this is your first sequel as a director, you did a reboot of The Muppets<\/em> and a sequel to that. Have you notice any differences or similarities throughout your franchising?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> On The Muppets<\/em> I was a writer and an EP on that, so I wasn\u2019t quite as in charge on it. And plus The Muppets<\/em> is more serialized. It\u2019s closer to a Marvel movie in a weird way where you know it\u2019s a group of characters and you can tell different stories, they\u2019re genres. This is the first proper sequel. Even Get Him To The Greek<\/em>, while a spinoff of Sarah Marshall<\/em>, like for a long time it wasn\u2019t a spinoff. But then it was too weird to have Russell Brand playing a different rock star, so we made it a spinoff because it made more sense logically. This is the first proper sequel that I have been in charge of as a director. It\u2019s really hard in a way to understand. I thought it would be like the second episode of a television show. I could have a whole TED talk about why sequels are hard. Especially if you don\u2019t want it to suck. The beginning of this movie, Seth and I were like our main goal is for this not to suck. If you want it to suck then it\u2019s easy, you\u2019re like \u201cThey\u2019re neighbors in Hawaii, so let\u2019s all go to Hawaii and shoot in Hawaii for a while,\u201d maybe that will be the third one.<\/p>\n

The big difference with a comedy, and I think it\u2019s true with horror too, is that you have to have the same premise. So it\u2019d be like in the New Girl<\/em> pilot, Zooey Deschanel moves in with a few roommates. It\u2019d be like the second episode of New Girl<\/em> would be like she moves in with more roommates. That\u2019s the premise of the show. It\u2019s not. So with this, it has to be nightmare neighbors movies, and so we had to figure out how to tell an original story that has that premise but enough of an original story that it is still satisfying for an audience.<\/p>\n

Does it make your job any easier to have one of your writing partners also be in the cast or does it make it more challenging?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> It\u2019s great. Comedy is inherently collaborative. On the first Neighbors<\/em>, we all ended up writing and rewriting together. Seth is an incredible writer. I\u2019ve written with him since Undeclared<\/em>. We were really old kind of relationship. I\u2019ve kind have always written with the actors, you know. Whether it be like Jason Segel on Sarah Marshall<\/em> or Five-Year Engagement<\/em>. Get Him To The Greek<\/em>, I kind of workshopped that script forever with Russell and Jonah Hill, so it\u2019s always ending up being collaborative. My approach is to always write and work with the actors. I wouldn\u2019t know how to do it. There\u2019s certain writers who write their thing, and actors act it. But I wouldn\u2019t know how to actually do that. So I can\u2019t really separate it from that. And he knows a lot about weed and weed paraphernalia, which is a part of the story. So I would be like \u201cwhat is the weed thing here,\u201d and he\u2019ll pitch three weed jokes. In addition to many other things, that just happens to be expert.<\/p>\n

What exactly was it about Chole Grace Moretz that made her the right person for this role?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> She\u2019s just a talented actress. I loved her ever since I saw her in Kick-Ass<\/em> and Hugo<\/em> she was amazing. I wanted someone who is close to the age of freshman, and she\u2019s 18, or she was 18 when we shot it, she might be 19 now. She\u2019s also little but scary and aggressive. You need someone who can actually scare Seth. All of those things. She\u2019s just an awesome, great actress. Very funny and very appealing. She\u2019s a movie star, and that\u2019s why we were lucky enough to loop her into the project at an early stage. She had a friend who was in a sorority who we got information from and stuff like that.<\/p>\n

So then what was it like to cast Kiersey and Beanie?<\/strong><\/p>\n

Nicholas Stoller:<\/strong> Well, it was a long casting process and you know it was the same thing in the first one. My main thing is I want these people to be warm. Because they are technically the villains if you are looking at the story structure, but I don\u2019t believe in villains in comedies, other genres they need them, but in comedies I think villains are uninteresting. So you need to understand where they are coming from, you need to root for them. So it was the same thing as the guys in the first movie, I wanted somebody who would be friends, who seem warm, and brought a different kind of comic energy to the parts. As soon as Beanie Feldstein came in I didn\u2019t realize she was Jonah\u2019s sister. I didn\u2019t know. She was really funny. I really enjoyed Kiersey Clemons in Dope.<\/em> She kind of more than anyone is really playing a character in a movie. She\u2019s not a lot like Beth, she kind of creates this whole character, which is something I tend to build around the personalities of the people in the movie due to my own laziness, but she brought her own character.<\/p>\n

Neighbors 2: Sorority Rising is now playing!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The sequel of last summer’s successful comedy Neighbors 2: Sorority Rising (Universal Pictures), marks the return of actors Seth Rogen, Rose Byrne and Zac Efron, who reprise their characters. 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